Instruments made at the workshop are offered for sale to the public, with the proceeds going to keep the workshop in operation. . London, Sign up to receive Carteggio features directly. John Betts was born in Stamford, England, in 1752. Arthur died in 1847, leaving the shop to his two sons, Arthur II and John II. Lob 352mm. This violin was, with the "Castelbarco" cello of 1697, once a part of the quartet of Stradivaris owned by Count Cesare Castelbarco of Milan. Directions. Leaders of the group are chosen to be in charge of different parts of the project each year. It bears its original label. 11th Floor New York, NY 10019 John Dodd and Thomas Tubbs were among the shop's best suppliers of bows. It remained a treasured part of Betts' collection, but after the death of his son in 1852, the violin came into the hands of Hills of London and then a succession of distinguished owners. We also have a selection of instruments and bows for private sale all year round. 1795 John Betts for Sale at Fine Fretted String Instruments Composite, newer top (19th century) original back and sides. John Betts - Maker - Brompton's Auctioneers . In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. In Images: Making a Stradivarius Violin | Live Science Read Less. Its everything we look for in a violin: the perfect combination of warmth, projection and flexibility of tone. He did not make many instruments himself, but employed excellent workmen, such as the Panormos, John Carter, Edward Betts, Bernhard Fendt, &c. The work is excellent, but poor instruments were occasionally sold by him, bearing his label. It was in this environment of exquisite craftsmanship that this violin was created a few years before John Betts death. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. We use the digital information from the CT scans to make STL (stereolithography) files to directly transfer the carving of Stradivari's original archings into new tops and backs, and to directly transfer the shapes of Stradivari's original necks, and scrolls, using a CNC machine made and operated by Steve Rossow. Talk to the Brompton's Team +44 (0)207 580 9550 . Photograph (Form). Violin by Antonio Stradivari, Cremona, 1704, "Betts" [Full strung instrument, front and back], Stringed Instruments at the Library of Congress, Musical Instruments at the Library of Congress, Comparison of performances on five violins, Twin Guarneri Violins Reunited at Library, Wilkins Early Stringed Instrument Collection, Violin by Antonio Stradivari, Cremona, 1699, "Castelbarco", Violin by Antonio Stradivari, Cremona, 1700, "Ward", Violin by Nicolo Amati, Cremona, 1654, "Brookings", Violin by Jean Baptiste Vuillaume, Paris, ca. Arthur managed the Betts shop after his brother's death in 1823, together with his nephew . He became known as an expert dealer and businessman, and was appointed Official Valuer of violins to the Customs Office. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. By this time, the family were well established as the leading London dealers of . The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. Normally one violin, viola, or cello, is made by the class (up to varnishing), strung up "in the white", and played, as a group project during the two week session. Betts Workshop Violin, London circa 1820 | SOLD - Martin Swan Violins With its expressive. You can find out the value of a Violin by John Betts and the amount you could expect if you sold your John Betts Violin at auction. Citations are generated automatically from bibliographic data as Suite B Campbell, CA 95008 (408) 879-9930 . In 1781 he was established there independently and in the following year he moved to the Royal Exchange, where he remained for the rest of his career. Betts, No. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . Germany, Email: info.berlin@tarisio.com Over the course of its history the shop produced a large range of instruments, from inexpensive models with painted purfling to some of the most exquisite Stradivari and Guarneri copies in the history of British violin making. He studied violin making under Richard Duke. The oevure of John Betts began with his training under Richard Duke, one of the most highly esteemed English luthiers of the 18thcentury who passed his craft along to only three students: his son Richard Duke Jr., John Betts, and Betts nephew Edward Betts, who later worked at his uncles workshop; together they carried on Dukes great artisanal legacy within their own family tradition. Betts was a violinist, teacher, and violin dealer. Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. John Betts (1752 - 1823) was apprenticed to Richard Duke in 1765 before becoming established independently in 1781 in Holborn, then the Royal Exchange. The Betts Stradivarius violin was the focus of the workshop. A deal was made and the instrument changed hands for the sum of only one guinea. Here are two pictures of the finished violin next to the Betts. United States, Email: info.newyork@tarisio.com 1786, Violin - Not consenting or withdrawing consent, may adversely affect certain features and functions. The technical storage or access that is used exclusively for anonymous statistical purposes. To be able to use Corilon violins in full range, we recommend activating Javascript in your browser. John R. Waddle Violins Inc. - Instrument Making (1775 - 1847) Younger brother of John Betts, Arthur Betts was a good violinist and had lessons from Viotti himself. It continued into the 1860s under the direction of Arthur's sons Arthur II and John II before finally closing in 1867. This violin, a copy of the "Ole Bull" Guarneri, is finished and has been sold. Next to that is a photo of the new copy. His own workmanship was replaced by the efforts of his many employees after Read more. Betts, John | Ingles & Hayday John Betts (1755-1823) was born in Lincolnshire. Composite, newer top (19th century) original back and sides. Rare Cello | John Betts | English Violoncellos | Skinner Inc. He came to London to work for Richard Duke in Holborn in 1765. John Betts, Violin, c.1790, London ~ Frederick W. Oster Fine Violins Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. By 1920, the "Betts" was owned by R. D. Waddell of Glasgow. He moved to London at the age of 12 to apprentice with Richard Duke. including this fine violin, Betts' greatest importance was as an expert and entrepreneur, responsible for making London a major centre of violin making activity in the 19th century. Other modern violins also did well. The Violin Shop: Stradivaris, Amatis, Guarneris, and more at the (351 mm) with double case (2) If you wish to view the condition report of this lot, please sign in to your account. The violin is an absolutely stunning Nicol Amati copy. Under Arthur especially the shop became known for its reproductions of historic instruments, similar to the activities of J.B. Vuillaume in Paris. In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. please inquire . The violin in the photo above has been sold. John Betts school: fine antique English violin circa 1820 - Corilon violins Users should consult the bibliographic information that accompanies each item for specific information. In the United States, the 'Betts' found a home first in the collection of John Taylor Roberts, [32] and then with Gertrude Clarke Whittall, who, in 1935, donated it along with three other Stradivari instruments a violin, a viola, and a cello and four Tourte bows to the Library of Congress of Washington, D.C. Cookie Policy This website uses cookies to ensure that we give you the best user experience. The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Article. My great-grandfather ordered a violoncello of Betts in the year 1780, to be made by Betts himself. Arthur & John Betts | Tarisio He died in 1823, leaving the business to his younger brother Arthur, who learned the craft from him. It remained a treasured . Oxford, OX1 4DH The instrument made by the group involved in the previous year's class is also varnished, strung up, and played. The violin has a two piece back of . Not surprisingly, the nephew thought the violin should belong to the firm, but Arthur claimed that since he bought it with his own money, (one guinea) it was his. The original neck is in the old style. Betts was very careful in selecting and preparing his wood, and his craftsmanship is equally precise. 244-250 West 54th Street Violin by John Betts, English circa 1790 - Auction Result The woods used for the copy are selected for their density, grain structure, and visual similarity to the Betts violin. Article. John Betts (1752-1823) In 1765, around the age of 13, John Betts made the 160 kilometer journey to London from his hometown of Stamford. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you. John Betts came from Stamford, Lincolnshire, and came to London in 1765 to apprentice with Richard Duke, rising to become the shop foreman after seven years, and eventually buying the business from Duke's daughter, reforming the company under his own name by 1781. . photograph | 19 photographs : color | Photograph (Form). It was given the the Library of Congress in Washington, DC, along with several other Cremonese masterpieces, by the last owner, Mrs. Gertrude Clarke Whittall in the mid 1930's, and remains there today. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. He was universally known as " Old John Betts," and was well respected and patronised. A sheer joy to play! John Betts cello, London circa 1810 First Name (*) Last Name (*) photograph | 18 photographs : color | Photograph (Form). He drilled holes for the upper and lower lobes and then connected them rather than working from a stencil type of pattern. The Strad magazine has generously allowed us to reproduce two articles in this presentation: Exhibition Report: Born in the USA (July 2006) and National Treasure (November 2006). Betts Workshop Violin, London circa 1820. The violin is in stunning original condition with no cracks. Article. Arthur Betts and Charles Vernon continued the shop for a few years before Arthurs famous purchase of the 1704 Betts Stradivari for the princely sum of one guinea. Bow maker / Violin maker The Betts Stradivarius violin was the focus of the workshop. The whole event was documented by NHK TV of Japan. Below, on the left is a photo of the top of the Betts, compared with a CT scan of the top, and aphoto of our new digitally carved copy of the front of the Betts. Next to it is a CT scan of the back. His instruments reflect the same care and artistry admired in the cremonese masters. He used two or three different labels. We use this information to help choose the woods used and to guide us in the making of accurate copies. Violin - Betts instruments tend to exhibit very high standards of . In the first instance, we suggest submitting good-quality images to us, preferably by email to info@ingleshayday.com or by completing the valuation form. Violins and Violin Makers Biographical Dictionary of the Great Italian Artistes, their Followers and Imitators, to the present time. Once we have obtained CT scans of a violin and have chosen wood that matches the wood of the original, Steve Rossow can carve duplicate parts digitally, using his CNC machine. London Can you tell which is which? (b Stamford, Lincolnshire, 1752; d London, 1823) One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. (1752 - 1823) Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. John is also part of an ongoing collaboration with luthier Stephen M. Rossow, and Radiologist Steven A. Sirr, M.D., on a project that uses existing and emerging technologies to explore the structure of-and . Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. In about 1820, an individual entered Betts' shop at the Royal Exchange in London and offered the violin in its pristine state. Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. There may be content that is protected as "works for hire" (copyright may be held by the party that commissioned the original work) and/or under the copyright or neighboring-rights laws of other nations. John Betts, London, c.1790 - Benjamin Hebbert Betts himself became Official Valuer of violins to the Customs office. Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. If you missed the magazine, you can download the pdf here-. Here is a picture of Raymond Shryer smoothing the top for the Betts copy with a scraper. Fine Fretted String Instruments2345 Winchester Blvd. By 1781 he was working independently and hired his first apprentice around that time. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200155591/. Here is a picture of the finished copy. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. This violin has been purchased, and donated to the Library of Congress. The words "Jo. Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc. The instrument is the work of one of his students or another luthier who upheld the Betts tradition, making it a worthy representative of early 19thcentury English violin making, and its interesting, stylish aesthetic is just as compelling as its exceptionally beautiful sound. John Betts school / circle: fine antique English violin circa 1820. 86-87 Wimpole Street London Ok, got it! Article. Photograph (Form). Violin by the Workshop of John Betts, London, c.1810 Violins and cellos for sale in London from Bridgewood & Neitzert Ltd: The UK's leading violin dealers, restorers & makers. His teacher had been none other than the famous violinist, Giovanni Battista Viotti, who played a 1709 golden period Stradivari violin, so Arthur knew what he was doing.

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